X E R O L A G E 3 5
INFRAPICS, Xerolage's 35th issue, presents twenty-five visual poems by Irving Weiss, a self-proclaimed "postmodern avant la lettre cultural composite." Weiss’s verbo-visual INFRAPICS are a variety of textual and visual poems, detourned cartoons and drawings, each hemmed by a black frame. The resulting visuo-semantic spaces between content, frame, and title in these pieces calls for a close reading into Weiss's ideas on proximity. In “I/T” we see an imposing frame squeezing the title (or reckless content?) out of the poem at large, letter-by-letter. Another piece plays off the formal conventions of the crossword puzzle to engender for a title the list of Across/Down hints that correspond to the puzzle’s empty content. Some of the INFRAPICS are pictographic puns and redundancies while others disorder the supposed purpose of framing and naming by placing both conventional title-language AND lettriste fragments in the space of the title-function via the blade of the frame's cutting. (See "Yes, Beckett", right.) What emerges in reading Weiss's INFRAPICS is not merely language or images that emphasize their verbo-visuality but rather a bird’s eye meta-visual, a theoretic play of schism-gap-and-presence, a seeming lightness that serves as transparency of depth. Check it out. - jUStin!katKO <Xexoxial Intern> Dreamtime Village, July 2005 |
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